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Artesania Exoteryc Rack By Discovery HiFi

 
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discoveryhifi



เข้าร่วม: 25 Feb 2008
ตอบ: 1166
ที่อยู่: BKK. Thailand

ตอบตอบเมื่อ: Wed May 08, 2013 4:24 am    เรื่อง: Artesania Exoteryc Rack By Discovery HiFi ตอบโดยอ้างข้อความ

ถ้าคำจำกัดความของคุณ...คือสิ่งที่ดีที่สุด



1. Special turntable platform. Stainless steel, antimagnetic structure, which supports a specially treated glass shelf with triple layers.

2. Attachments for the unit legs, made from stainless steel with inverted, conical perforations, specifically created to support the special turntable platform pins.

3. External structure. Metallic and filled with special particles and elastomers. The legs measure 60mm in diameter. These factors create a unit that is heavy, resistant and stable. The structure’s coefficient of echoes is significantly lowered.

4. Internal suspended structure. Can support up to 150 kg of additional weight.

5. Cylinders support the internal suspended structure.

6. Earth terminal, for connection to electronics (essential for Phono).

7. Rear bars, height variable, which strengthen the external structure to guarantee stability and locking.

8. Shelf supports. If required, shelves slide onto the stainless steel bars of the suspended structure, which then supports them. They are height adjustable.

9. Lineal arms made from anti-magnetic steel. Slide in parallel and angular movements along the shelving panels. The arms house pins (which can be located in a variety of positions) which support the isolating discs and shock absorbing pads. The flexibility in positioning of arms and pins allows maximum choice
when looking for the best support points according to different electrical components.

10. Isolating discs and shock absorbing pads. These support electronic components (without the need for shelves). Installation is achieved through an elastic binding that stabilizes their positioning on each of the four threaded, adjustable pins, located on each of the lineal arms of each shelf.

11. Fixings to stabilize suspended structure. Remove the smallest of pendular movements from the internal structure. There are four in total, located in the lowest part of the unit.

12. Special stainless steel discs, maximum absorption, which support the pins of the legs. They can support weights of 90kg/unit. If required, these can be removed and changed for other discs that are sold as additional accessories in order to best adapt the unit to the acoustics of the premises.

Catalogue: http://www.artesaniaaudio.com/images/stories/artesania/imagen/catalogo_ingles_2012/esoteric_unit-en.pdf?phpMyAdmin=46bc5098b740t7ba1f93ar30da



Reviews:

http://hifi-advice.com/Artesania-Exoteryc-review-1.html

http://v2.stereotimes.com/post/artesania-exoteryc-shelfless-rack/

http://www.6moons.com/audioreviews/artesania/1.html
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discoveryhifi



เข้าร่วม: 25 Feb 2008
ตอบ: 1166
ที่อยู่: BKK. Thailand

ตอบตอบเมื่อ: Fri May 10, 2013 2:39 am    เรื่อง: ตอบโดยอ้างข้อความ



The difference was not subtle. It presented itself without any effort as a simple fact. Upper harmonic richness had increased, say on Vassili Tsabropoulos' nearly glassy piano on Melos for ECM which is beautifully counterpointed by Anja Lechner's woody cello. The visibility of decays mixing and lingering had shot up. With it came a wholesale improvement of ambient retrieval. Recorded space was more audible. Space itself makes no sound of course. It's the sounds occurring within it which light it up and map it out with their reflections and natural reverb. On sufficiently pure recordings which contain such data, this aspect became a lot more astute. Think of those qualities as the equivalent of floating gossamer during an Indian summer - spider webs on the wind which you can only see because the light refracts off them just so. Here it's the recorded reflections which unveil them.

A related benefit was improved intelligibility at lower levels. Personally that's perhaps the most prized quality. Only those without neighbors can't relate. It's the proverbial ability to hear the needle drop. That's shorthand for everything small and subtle. To make it out clearly without having to raise playback volumes is the difference between listening a few hours more each and every day. This effect also seems to inject more space between the musical weave. It's like a declumping agent or freshly washed hair which separates out into individual strands.

Pitch definition and general articulation in the wider bass registers also were better. Cleaner but also leaner bass meant more midband transparency. With still the exact same speakers as acoustic sources, these combined effects came from nothing more than a reduction of mechanical feedback between the gear and transducers. Another way of describing it is to simply say that the sound had grown more sophisticated. If it were about writing, there now was more meaning between the lines. If it were about painting, there'd now be less primary colors and more varied hues. Back in audio lingo those hues express themselves as bigger dynamic ripples. When things sound more dynamic without raising the volume, it means the difference between loudest and quietest has increased. Since loudest didn't get louder, only quiet could have become quieter. So we say the noise floor dropped. That reads quite abstract, particularly since we know very well that we didn't magically turn down any background din. Cars still drive by.


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