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http://www.tonepublications.com/review/m2tech-hiface-two-2/

Once you accept the halfway-house nature of the hiFace Two solution, the fun begins. Meandering through Leonard Cohen’s much-underrated 2001 “comeback” album, Ten New Songs, a sense of player space is more apparent with the new M2TECH device than without. Better clocking (i.e. less jitter) takes the listener deeper into the music. Even at this less-expensive end of the USB-converter market, improvements can be heard in terms of micro-dynamics and vitality—Cohen’s aging croak simply sounds more human.
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